from the album
The Wall
"Another Brick in the Wall" is the title of three songs set
to variations of the same basic theme, on Pink Floyd's 1979
rock opera,
The Wall, subtitled Part I (work title Reminiscing) ,
Part II (work title Education), and Part III (work title
Drugs), respectively, all of which were written by Pink Floyd's
bassist and then lead songwriter, Roger Waters. It has become
one of the most famous Pink Floyd songs.
Part II is a protest song against rigid schooling in general
and boarding schools in particular, which has led to the song
being banned in South Africa. It was also released as a single
and provided the band's only number one hit in the UK, the US,
West Germany and many other countries. In the UK, it was their
first single since 1968's "Point Me at the Sky", the song was
also the final number one single of the 1970s. For Part II,
Pink Floyd received a Grammy nomination for Best Performance by
a Rock Duo or Group and lost to Bob Seger's "Against the Wind".
In addition, Part II was number 375 on Rolling Stone's 500
Greatest Songs of All Time list. The single sold over 4 million
copies worldwide. In Israel Part II was chosen as the best rock
song of the 1980s (although it was issued before 1980), in a
survey by one of the main radio stations Israel Army Radio held
at the end of 1989.
The single, as well as the album
The Wall, were banned in South Africa in 1980 after the
song was adopted by supporters of a nationwide school boycott
protesting racial inequities in education.
Each of the three parts have a similar, if not the same,
tune and lyrical structure (though not lyrics, aside from the
"all in all" refrain), and each is louder and more enraged than
the one before, rising from the sadness of Part I to the
protesting Part II to the furious Part III. This tune is
repeated in almost every song on the album, albeit in a
different form each time.
Part I of the song is very quiet dynamically and features a
long, subdued guitar solo. The vocals are softer and gentler in
tone than in Parts II and III, although there is a short, sharp
rise in dynamics and tone for a brief period towards the end of
the lyrical portion. Sniffing, shouting, wailing, calling, and
children can be faintly heard in the background, along the
lines of "You! Stand still, laddie!"
The Thin Ice discussed during the previous song breaks when
Pink becomes older and learns of the death of his father. Pink
is devastated by this reality and begins to build The Wall.
Pink's mother is seen praying in a church after the death of
her husband overseas. Pink, however, is, at this point,
oblivious of his death, and can be seen playing with a toy
airplane. The song continues with Pink playing in a public park
after his mother leaves him to go shopping. He sees a man who
he takes a liking to in the absence of his own father. The man
gives Pink a lift onto a ride, and it's clear Pink feels as if
this man is his real father. Pink follows the man's son around,
copying him, but doesn't understand why the other boy's father
isn't paying attention to him. He grabs the man's hand but is
shooed away, only to grab the man's hand again. The man pushes
Pink away again, and dejectedly he sits on a swing.
In the album version of
The Wall, "Another Brick in the Wall, Part II" segues
from "The Happiest Days of Our Lives", with a trademark Roger
Waters scream. The song has strong drums, a well-known bass
line and distinctive guitar parts in the background with a
smooth, yet edgy guitar solo. The song also features a group of
school children for lead vocals in the second verse: as the
song ends, the sounds of a school yard are heard, along with
the teacher who continues to lord it over the children's lives
by shouting such things as "Wrong! Do it again!" which somehow
sounds mocking, and "If you don't eat yer meat, you can't have
any pudding!
Howcan you have any pudding if you don't eat yer
meat?!", and "You! Yes! You behind the bikesheds! Stand still,
laddie!", all of it dissolving into the dull drone of a phone
ringing and ending with a deep sigh.
For "Part II", Pink Floyd needed a school choir, and
producer Bob Ezrin requested that sound engineer Nick Griffiths
find one. Griffiths approached music teacher Alun Renshaw of
Islington Green School, around the corner from their Britannia
Row Studios. Though the school received a lump sum payment of
£1000, there was no contractual arrangement for royalties from
record sales. Under 1996 UK copyright law, they became eligible
for royalties from broadcasts, and after royalties agent Peter
Rowan traced choir members through the website Friends Reunited
and other means, they claimed their payments. Contrary to press
reports, this did not involve suing Pink Floyd. Music industry
professionals estimated that each student would be owed around
£500.
After being insulted by the teacher, Pink dreams that the
kids in his school begin to protest against their abusive
teachers.
Following "The Happiest Days of Our Lives" Pink starts to
daydream during his class. He imagines several students
marching in unison to the beat of the song, following a path
until they fall blindly into an oversized meat-grinder to
re-emerge as putty-faced clones void of individual distinction.
Starting with Gilmour's guitar solo, the children destroy the
school building using hammers (foreshadowing the subsequent
neo-fascist Nazi-like animated sequence with its marching
hammers) and crowbars, creating a bonfire, dragging their
teacher out of the burning school kicking and screaming. The
song ends with Pink rubbing his hand, which the teacher slapped
with a ruler in the previous song.
During the song, the teacher's "meat and pudding" lines are
folded into the first few lines of the school choir's lines,
and are performed by the teacher in the film, played by Alex
McAvoy.
Prior to the film, the first video for the track, directed
by Alan Parker, depicted students running in a playground and
the teacher puppet from
The Wallconcerts was used. The video also mixed in some
animated scenes later used in "The Trial" and "Waiting for the
Worms". The children who sang on "Another Brick in the Wall
(Pt. II)" were not allowed to appear in the video as they
didn't hold Equity Cards.
Once the film was completed, the actual scenes of "The
Happiest Days of Our Lives" and "Another Brick in the Wall,
Part II" were combined into a new video, which now represents
the music video for "Another Brick in the Wall".
The song is dynamically loud, and features the once subtle
bass line, now much louder, to express Pink's rage. It is also
the shortest 'part' of "Another Brick In The Wall".
Pink decides to finish this wall as a result of his rage
after his wife's betrayal. He states that he has seen the
"writing on the wall". He concludes that he no longer needs
anything at all, dismissing the people in his life as just
"bricks in the wall".
In the film, the song is accompanied by a montage of events
that contributed to the construction of the wall.
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