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"How Can You Mend a Broken Heart"
#1 weeks: 4
weeks: 1971-08-07, 1971-08-14, 1971-08-21, 1971-08-28
genre: pop
artist: Bee Gees
album: Trafalgar
writers: Barry Gibb, Robin Gibb
producers: Robert Stigwood, Barry Gibb, Robin Gibb, Maurice Gibb
label:
formats: 7" single
lengths: 3:57

from the album Let's Stay Together

from the album Sex and the City: Original Motion Picture Soundtrack

"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. The song had been written by Barry and Robin Gibb in August 1970, when the Gibb brothers had reconvened following a period of break-up and alienation. They said that they originally offered it to Andy Williams, but ultimately the Bee Gees recorded it themselves and included it on their 1971 album, Trafalgar.

The song was recorded on 28 January 1971 in London. The instrumental track is: Barry Gibb (guitar), Maurice Gibb (guitar, piano, bass guitar), possibly Alan Kendall (guitar), and Geoff Bridgeford (drums), with strings and woodwinds arranged and conducted by Bill Shepherd. The vocals are by Robin (solo in the opening verse), Barry (solo in choruses and second verse), and Maurice (joins Barry and Robin in harmony on choruses). It was released as a single in May 1971 ahead of the album. The B side was a non-album song "Country Woman", written by Maurice Gibb, recorded on 6 April by Maurice (guitar, piano, bass guitar), Kendall (guitar), Bridgeford (drums), and Shepherd (string and horn arrangement).

Although failing to chart on the UK Singles Chart, the song became the Bee Gees' first U.S. number one on the Hot 100 and also reached number four on the BillboardAdult Contemporary chart.

Recently this song was featured on Denzel Washington's character's I-Pod in "The Book of Eli"

An alternate version appeared on the first UK pressing of the 2001 compilation Their Greatest Hits: The Record. It has different vocal, piano, and bass guitar tracks. It is very noticeable that Barry, not Robin, sings the first verse, and that Barry's sigh does not appear before each chorus. This was a tape library mistake, both this and the correct reel being marked as best. The differences illustrate how the Bee Gees built up a recording track by track. These unsatisfactory vocal, piano, and bass tracks would be re-done to make the officially released version.