"Honey" is a song co-written and co-produced by American
singer Mariah Carey, Puff Daddy, Stevie J, and Q-Tip (listed in
credits as "The Ummah"), and recorded for Carey's seventh album
Butterfly(1997). It uses two samples: "Hey DJ",
originally performed by the World's Famous Supreme Team, and
"The Body Rock" by the Treacherous Three. It was released as
the first single from
Butterflyin 1997 and became one of Carey's bigger hits,
reaching number one in the United States. It became her twelfth
chart-topper there, surpassing Madonna as the female artist
with most number-one singles.
The song is best known for its music video, which presented
a more sexual and less conservative image of Carey than had
been previously seen. It also marked a musical transition in
her career, moving her away from pop music and further towards
hip hop. "Honey" was nominated for the 1998 Grammy Awards for
Best Female R&B Vocal Performance and Best R&B
Song.
"Honey" was Carey's twelfth number 1 single on the U.S.
Billboard Hot 100 and became her third single to debut at
number 1, consolidating her position as the artist with the
most number-one debuts (the others being "Fantasy" and "One
Sweet Day", both 1995). After its debut it spent three weeks at
the top of the chart, from September 7 to September 27, 1997.
It replaced "Mo Money Mo Problems" by The Notorious B.I.G.
featuring Puff Daddy and Mase, and it was replaced by Boyz II
Men's "4 Seasons of Loneliness". After its sales had begun to
decline, and despite the single being a #1 hit on the Rhythmic
Top 40, radio airplay in general was not strong enough to keep
"Honey" popular, and it began a new trend for Carey's singles
that did not end until the release of "We Belong Together"
(2005): the CD single would sell well, but the song would only
achieve average success on the radio. Her records became
increasingly less successful on charts that were weighing
airplay far more heavily than sales. "Honey" remained in the
U.S. top forty for eighteen weeks and was ranked 32 on the Hot
100 1997 year-end charts.
"Honey" was a substantial hit outside the U.S., going top
three in the United Kingdom and Canada. Its success across most
of Europe, however, did not rival that of singles such as
"Hero" (1993), "Without You" (1994) and "Fantasy". It peaked
inside the top ten in Sweden and Australia.
The best-known aspect of "Honey" was its music video, which
forever changed Carey's public image. Carey had previously been
dressed conservatively, as the "girl next door". Starting with
"Honey" (directed by Paul Hunter), she was seen in revealing
clothing. The video compliments the sexual innuendo from the
song's lyrics.
The video premiered on MTV and BET on July 30, 1997 and was
inspired by James Bond films and shot in Puerto Rico in July
1997. It starts out with Carey, clad in a conservative-looking
dress and 4-inch metal stiletto heels, being held prisoner in a
mansion. After escaping her captors (Eddie Griffin, Frank
Sivero) via a swimming pool, (as people have thought that this
may be an intentional metaphor of Carey's divorce from Tommy
Mottola but she has denied the claims) she then takes off her
dress in the water to reveal a bikini, inspired by Bond girl
Honey Rider's famous white bikini in
Dr. No(1962). Carey dresses into a wetsuit and uses a
watercraft to evade her captors, who are also on watercraft.
The video is intercut with sequences of Carey singing in a
two-piece outfit on an island, and sequences involving her
dancing with sailors. Carey's captors interrogate the sailors,
but she is nowhere to be seen. The video ends with Carey
frolicking around on a beach with Cuban American male model
David Fumero and her dog, Jack. The video was nominated at the
1998 MTV Video Music Awards for Best Female Video.
Several remixes were commissioned for "Honey", most notably
the Bad Boy remix and the Classic mix, the latter of which
appears on Carey's remix compilation
The Remixes(2003). The former is similar to the original
version, but there is a new spoken intro from Carey in which
she states, "I thought I told you, we won't stop." The string
chords present in the original "Honey" are entirely excised
from the Bad Boy remix, and it features rapping by The Lox and
Mase. The rap from Mase entirely replaces the second chorus of
the song, while the Lox's parts replaces a section of the
song's bridge.
The song's main remix, "Honey" (Bad Boy remix), also has a
music video, with additional sequences directed by Paul Hunter.
Much of the footage of the video for this remix is from the
original video, with the new sequences featuring Carey with
Puff Daddy, Mase, the Lox (later known as D Block), and Puff
Daddy in a long beige tunnel flowing with water ("The Honey
Tunnel"). During Mase's rap, Carey is rescued by Mase (rather
than joining the sailors on the boat) when he lowers a rope
into the ocean from his helicopter.
Another major hip-hop mix of the song was released: "Honey"
(So So Def mix), produced by Jermaine Dupri and featuring raps
from him and Da Brat. Carey re-recorded some of her vocals, but
most lyrical and melodic structures are kept similar to the
album version. The song uses a new sample from "It's Great to
Be Here" (originally performed by The Jackson 5), but it does
not use "The Body Rock" from the album version and Bad Boy
remix. The So So Def remix does use the sample of "Hey DJ", but
in a different manner: the album version and Bad Boy remix use
the piano riff from "Hey DJ", while the So So Def remix uses
the line "Hey JD, won't you play that song, keep them dancing,
dancing all night."
David Morales created several dance remixes of the song, the
most notable being "Honey" (Classic mix), and variations of
this include "Honey" (Def Club mix), "Honey" (Rascal dub), and
"Honey" (Boss Anthem mix). These give songwriting credit to the
writers of "The Body Rock", although this is not sampled.
Morales is also credited as a songwriter for the remixes,
although they are close to the original melodic and lyrical
structure of the original song.
Worldwide CD single
Australian/European/U.S. CD maxi-single
UK CD maxi-single #1
UK CD maxi-single #2