from the album
Beatles for Sale
"Eight Days a Week" is a song written by John Lennon and
Paul McCartney, which was recorded by The Beatles and released
on their December 1964 album
Beatles for Sale.
The inspiration of the song has been attributed to at least
two different sources by Paul McCartney. In a 1984 interview
with Playboy, he credited the title to Ringo Starr, who was
noted for his malapropisms, which are credited as the source of
other song titles (such as "A Hard Day's Night").
PAUL: Yeah, he said it as though he were an overworked
chauffeur. (in heavy accent) 'Eight days a week.' (laughter)
When we heard it, we said, 'Really? Bing! Got it!'
—Paul McCartney & Linda
McCartney, 1984 Playboy Interview
However, he has also credited the the title to an
actualchauffeur who once drove him to Lennon's house in
Weybridge.
—Paul McCartney, The Beatles
Anthology
"Eight Days a Week" is the first song which the Beatles took
into the studio unfinished to work on arrangement during the
session, which would later become common. The song was mainly
recorded in two recording sessions on 6 October devoted
exclusively to this song, which lasted nearly seven hours with
a fifteen-minute break in between. Lennon and McCartney tried
several ideas for the intro and outro of the song. The first
take featured a simple acoustic guitar introduction. The second
take introduced an "oo"-ing vocal that was experimented with
until the sixth take, when it was abandoned in favour of the
final guitar intro. The final outro (along with unused intro
takes) was recorded separately on 18 October. The final version
of the song incorporated another Beatles first and pop music
rarity: the song begins with a fade-in, as opposed to the
common fade-out ending. The instrumentation includes acoustic
guitar, electric guitar, drums, bass and overdubbed handclaps.
The fade-in and coda both include more guitar overdubs.
The song, along with two others from the album ("Baby's in
Black" and "No Reply") was planned as a single release. In the
end, it was released as a single only in the US on 15 February
1965 becoming a number-one hit. Its B-side was "I Don't Want to
Spoil the Party". The single release in the US was the result
of DJs playing the song from imported copies of the
Beatles for Salealbum as an exclusive since it was not
included on the album's US counterpart
Beatles '65. Later, it made a US album appearance on
Beatles VI.
While not one of The Beatles' best known or most popular #1
songs, "Eight Days a Week" was a significant record-setter on
the American singles chart. It became the second of six #1
songs in a row on the American charts - a record eventually
equaled by The Bee Gees in the late 1970s, and surpassed by
Mariah Carey in the early 1990s. In order they were "I Feel
Fine", "Eight Days a Week", "Ticket to Ride", "Help!",
"Yesterday", and "We Can Work It Out". Additionally, the song
became the record-setting seventh #1 song in a 52-week period
on the American charts. This list starts with the final week of
"I Want to Hold Your Hand" at number one, then "She Loves You",
"Can't Buy Me Love", "Love Me Do" (a somewhat out-of-place 1962
re-release), "I Feel Fine", and ending with "Eight Days a
Week".
Although it was a huge American hit, the group didn't think
highly of the song (Lennon called it "lousy"), and never
performed it live.
The song has been covered by: